Don't forget this weekend.....

Plan to attend the "Music on the Hill"  series at the Northside Baptist Church featuring Violinist Helen Kim, cellist Charae Krueger and pianist Robert Henry performing Schubert's "Piano Trio in B Flat Major" and Arensky's "Piano Trio No. 1 in D Minor." This is a great series in a great venue.  

Another Rewarding "Music on the Hill" performance

“The Music on the Hill” series at Northside Baptist Church present a series of trios performed by Olga Shpiko (violin), Yang-Yoon Kim (viola), and Jennifer Humphreys (cello).

The program consisted of:

Beethoven- String Trio Op. 9 No. 3 in C minor

Ramirez- Trajetas Latinas (world premier)

Dohnanyi- Serenade in C for String Trio

This was another recital that played to the acoustical strength of the Northside Baptist Chapel, which is perfectly suited for the viola and cello.  Their warmth is complemented by the warmth of the sound environment in the church. 

The Beethoven is a fairly early work in the master’s composing career. These three young artists had a few intonation problems, insecure rhythm, and bowing problems in the first movement, but once they warmed up, they played the beautiful lyrical adagio with wonderful tone and ensemble.  The third movement Scherzo also had a bit of unsteady playing that again to lead into a masterful performance of the Presto finale.

The Juan Ramirez-Hernandez “Tarjetas Latinas” was played, with the composer’s consent, with the second movement first.  Since this was a world premiere, there seemed to be eager anticipation in the audience. Ramirez’ work did not disappoint.  The music begins with a traditional yet dark and melodic lullaby.  The piece shows-off the warm and somewhat sad tones of the cello and viola.  Both were played eloquently by Humphreys and Kim.  The first movement, here played secondly, is a strong-dance rooted piece with rhythmic bowing and percussive sound effects.   Ms. Humphreys even played the part of a drummer on the body of her instrument.  The work uses pizzicato, quickly followed by bowing.  Both the left and right hands of the players are kept very busy in this piece, which reflects a mix of Cuban and African styles. 

Composer Ramirez was in attendance and signaled his pleasure with his Atlanta Symphony colleagues on their performance.

 

The final work on the program was the Dohnanyi Serenade.  It is a lovely piece from a composer is rarely heard these days.  He composed in a style heavily influenced by Brahms and the fourth movement andante is sumptuous with languorous melodies. The trio played brilliantly.    Dohnanyi’s music would appear on my list of composers of whom I would like to hear more. 

Hearing the Serenade reminded of my sixth grade English teacher, Mr. Myers.   He was a dedicated instructor who thought nothing of standing up on his desk while reading Macbeth.  He let the class know early on that his favorite composer was none other than Dohnanyi.  One day he was so inspired that he brought his cello to class and played along with a recording one of the composer’s pieces.   I appreciate Mr. Myers now more than ever. 

The next “Music on the Hill” concert will be on March 4 at 3:00pm.  Works by Chopin and Beethoven comprise the program.  

One of the best.....

Every so often there comes a recital or concert that stands head and shoulders above the rest.  The “Music on the Hill” series at Northside Baptist Church presented on January 21, 2012.  This series of chamber concerts is a hidden gem in Atlanta and deserves to be heard by anyone who likes chamber music.   The chapel of the church is perfectly suited to chamber works- it provides rich reverberant sound that supports rather than smothers the music. 

The performers for this concert were Cellist Alexei Romanenko and Pianist Christine Yoshikawa.  Their program included:

Arvo Pärt – Spiegel im Spiegel

Schnittke – Sonata No. 1 for Cello and Piano

Fauré – Aprés une Rêve

Schnittke – Suite in the Old Style for Cello & Piano
Stravinsky- Suite Italienne

Arvo Pärt ‘s ‘Mirror in the Mirror” was written in 1978.  It is hypnotic and full of beautiful sound. Pärt is known for his “mystic” minimalism that makes a virtue of repetitiveness.  In contrast to other minimalists, such as Glass and Adams, Pärt’s music is gentle and of a smaller scale.  This is the kind of music that encourages the listen to lose contact with his/her surroundings and simply be in the moment with the music.  This performance was stunning. 

Schnittke’s Sonata is a searing almost painful piece that has both a spiritual and earthly outrage.  It traverses from lyrical to strident, almost screaming.  It is a wondrous piece played by two highly gifted artists. 

The Faure piece lasted only three minutes.  It is based on an anonymous Italian poem, where dreams of love are dashed by sad awakening.   Faure’s music is elegant and refined, and this piece is no different.  It was played with sensitivity by Romanenko and Yoshikawa.

The second Schnittke piece, Suite in the Old Style, is worlds apart from his Sonata.  It is a piece that pays homage to earlier styles of music yet was written in 1961.  Pieces of it were written for various films, but it holds together quite well.  I like the idea that Schnittke took music that he had composed for a sound track and modified to be a suite of classical chamber music.  It only composers like John Williams or Clint Mansell would do the same for their beautiful soundtracks that now only are snippets of music used to set the tone for a scene.  With a bit of development, their music could be more intriguing and would bear repeat hearing.  Alas, they probably make too much money now to make it worth their while.

The final piece was Stravinsky’s Suite Italienne, which is drawn from his familiar “Pulcinella” ballet music.    It was interesting to hear the music paired down from a full orchestra to just two parts.  This performance was also perfection. 

Mr. Romanenko deserves particular attention for his performance.  He seemed to put his entire energy into his playing- in fact; he looked like a runner after running a marathon.  His tone is big and beautiful.  He can generate great volume as well as tiny pianissimos. His strength was incredible. 

This concert was a blend of musical styles played by two virtuosi.  This chamber music series should not be missed.