Wednesday, October 28, 2020
Monday, October 19, 2020
This week, a musician friend posted on social media “If I see the words ‘reimagined season’ one more time I’m going to scream.” Yes, the Atlanta Symphony Orchestra has proclaimed its slate of virtual concerts as a “reimagined” season. Yet, however described, American symphony orchestras are mostly dependent on non-governmental support and they are in a pandemic environment where they must scramble to find ways to survive, in part by finding new ways to continue a connection with their donors and music-loving audiences. The ASO management and musicians have responded, not just by reposting previously recorded material, but by creating new online video productions with major artists performing in carefully designed spaces providing access to concerts. This week’s performance began with a brief interview with renowned Israeli pianist Inon Barnatan, who expressed his gratitude at being able to play again with a full orchestra, something he has not done in several months.
For the complete review go here:
Tuesday, September 29, 2020
The Lost Interview: In November 2015, Mr. Jim Cunningham graciously agreed to an interview with AtlantaMusicCritic.com Unfortunately, the video was corrupted and could not be played. With the advent of new technology, this video is now playable and this lost interview is available. Small portions are missing, and the ending was truncated, but the richness of Jim’s knowledge still shines through.WQED-FM's artistic director, Jim Cunningham hosts the nationally syndicated Pittsburgh Symphony Orchestra (PSO) broadcasts, in addition to his hosting duties at the station. Mr. Cunningham has interviewed many of the most famous musicians of our time and has had close working relationships with the distinguished Music Directors of the PSO. Jim is an outstanding raconteur. Please enjoy this most Informative “lost” interview.
The global pandemic has brought most live musical performances to a halt or encouraged performing groups to reconceptualize how to provide something akin to a live performance to audiences mostly located in their homes. One positive outcome is that it is possible to hear ensembles in faraway places; ensembles, for example, that a patron might never experience otherwise. Yet, here I was sitting in Atlanta, Georgia, enjoying a concert from the 48th Istanbul Music Festival.
For the complete review, go here: https://bachtrack.com/concert-video/tekfen-philharmonic-orchestra-anna-tifu-tekfen-philharmonic-orchestra/341688